That said, however, Theroux is most successful in Dark Star Safari when he focuses on his “travel is transition” methodology, pointing out its power to soften the effects of globalization on individual Westerners and Africans alike.

Indeed, the book does strike hard at the corrupt, beggarly state of many African nations - as well as the hypocritical, self-righteous behavior of do-gooders who travel to Africa under the auspices of humanitarianism or Christian philanthropy. In a 2003 article, the New York Times Book Review observed that Theroux has “a skeptic’s instinct for deflating myths, bringing irony to an essentially romantic form.” Other readers of Dark Star Safari have accused him of being everything from a post-colonial imperialist to a “hater” of aid-workers and missionaries. Theroux is reflexively critical if anything, which is why he has the distinction of being one of the most insightful – yet dyspeptic – travel writers out there. Theroux feels like “a wraith from the past, knocking on broken windows with my bony fingers, pressing my skull against the glass and looking death’s-head toothy, and saying, Remember me?” At times like this, Dark Star Safari reads like a man looking up an old friend after years of absence, and decrying, “I managed to keep myself in shape! How could you have let yourself go like this?” Unfortunately, what he discovers upon his return bears a disheartening contrast to the place of his youth. Thus, when the author returns to visit his old school, he returns in anticipation of a happy reunion with the place he associates with his youthful aspirations. It was during that period that the author “got a glimpse of the pattern my life would take” to Theroux “Africa, “for all its perils, represented wilderness and possibility.” As a young man serving in the Peace Corps during the early 1960s, Theroux worked in Malawi as a teacher. This in mind, the reader of Dark Star Safari should brace himself like Theroux does: for moments of happiness along with all the expectations of misery, encountering the picturesque while expecting the appalling.ĭark Star Safari is in great part Theroux’s own story of his relationship with Africa. The other form of travel-the form through which Theroux traverses Africa-reminds us that “travel is transition.” It’s the type of travel that requires “going slowly, crossing national frontiers, scuttling past razor wire with my bag and passport,” the whole time “being reminded that there was a relationship between Here and There, and that a travel narrative was the story of There and Back.” In one form, a person can be transported from the familiar to the foreign quickly, and in relatively comfortable fashion. Paul Theroux’s most recent travel narrative, Dark Star Safari: Overland from Cairo to Cape Town (Houghton Mifflin, 2003) is a vivid reminder that there are two types of travel.

Dark star paul theroux